Paseo Del Prado: An Imprint of Madrid’s Historical Heritage Essay


An Imprint of Madrid’s Historical Heritage

From the Age of Enlightenment to Plan Especial Recoletos-Prado

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This research looks at one of the grandest avenues in Spain, if non in the universe, Paseo del Prado in the metropolis of Madrid. The intent of the survey is to analyze its historical context, urban maps, every bit good as its relationship to the landscape, memorials and museums in the country. Specifically, the survey involves analysing Prado museum and relevant art objects through their cultural and artistic influences within the context of Spanish Enlightenment. By analyzing the above, this paper will so discourse a recent controversial undertaking, the Recoletos-Prado Special Plan that was foremost proposed by the City Council in 2005 ; and argue that the proposal is ambitious yet unfinished – it needs to analyze the bing heritage in greater deepness and allow the citizens involve better.


Paseo del Prado is an urban imprint of Madrid’s historical heritage

it provides puting for establishments to show their artistic/cultural wealth ;

It generates urban infinites for local citizens every bit good as tourers to bask.


In order to exemplify the significance of Paseo del Prado throughout the history, it is necessary to analyze the historical contexts it has been in. To get down with, the metropolis of Madrid is a comparatively immature capital ; it became the capital of Spain in the 16th century, where the Habsburg dynasty reached the extremum of its power and influence. [ 1 ] Towards the terminal of 17th century, Spain started to worsen in footings of economic system every bit good as military power, as ruled by a weak King, Charles II. [ 2 ] However the biggest influence, possibly more indirect than direct, that Charles II had on Spain was the fact that he was non able to go forth a replacement. The consequence of which is his nephew, subsequently known as Philip V, a Gallic born House of Bourbon member, ascended the throne. [ 3 ] Having the first Bourbon swayer in Spain, it was easy for the remainder of Europe to expect the close ties between the two states ; and that the brotherhood of the two under a individual sovereign would without a uncertainty go a immense menace to them, therefore the War of the Spanish Succession ( fig. 1 ) . [ 4 ] Yet in the same period, an highly high proportion of scientific activity during the Enlightenment was linked to Madrid because of the Gallic King. The enlargement of scientific discipline was closely linked to the metropolis, as seen in the gap out of the Paseo del Prado which was achieved by widening the public infinite by puting stylish avenues where the metropolis walls one time stood.

However, from a cultural and scientific position, Philip V was so an of import factor of the spread of Enlightenment in Spain. The inflow of Gallic goods, thoughts and books encouraged scientific and empirical ideas in an attempt to reconstruct Spanish authorities, substructure and establishments in a more modern manner. Paseo del Prado was of course improved in such way as good: non merely the streetscape conditions were improved ; legion scientific, academic establishments were besides introduced along the sides of the avenue. [ 5 ] By 1780 the Paseo del Prado has become an country devoted to cultural terminals. The location of the new scientific edifices at such an elegant site reveals how scientists were gaining public recognition for the reclamation of the monarchy ‘s image. [ 6 ] On the other manus, harmonizing to Stewart, despite the mentioned fact that the Enlightenment thought left an impact on the development of the Paseo, it is deserving observing that the modern thought was still slightly suppressed by the conservativists ; and the top of Spanish societal construction by 1780s was still the aristocracy and the church. [ 7 ] This is besides apparent in the ulterior treatment of the Prado Museum. Nonetheless, both Noel and Stewart’s statements portion the same recognition: that Madrid is full of historical Markss and there are hints all over the metropolis that lead back to their beginnings.

The following inquiry to reply is: within the Enlightenment context, how did the Paseo and its establishments evolve, peculiarly from an urban planning point of view? In the magazine History Today, Charles C. Noel provided an enlightening description of Madrid’s urban development around the Enlightenment epoch. He stated that during the sixteenth and 17th centuries, the interior portion of the metropolis had remained its Baroque visual aspect for the most portion ; the bulk of the development was instead concentrated on the peripheral of the metropolis, commissioned by the Crown and the municipal authorities. [ 8 ] Paseo del Prado, being on the east boundary line of the metropolis, was portion of this development ( fig. 2 ) . As new vicinities were being built up near the metropolis wall, legion broad paved roads including del Prado were laid down to supply transmutation to the interior metropolis. [ 9 ] These roads featured multiple rows of trees along with hardscape elements such as sculptures and fountains, similar in visual aspect to its current province. Harmonizing to Noel, when the Crown and the municipal authorities built the Paseo, they wished to accomplish three aims: “to fancify Madrid and do it a more brilliant capital, worthier of its male monarch and empire” ; “to afford comfortable, safe, nice and well-ordered unfastened infinites in which Madrid ‘s citizens would garner and entertain themselves” ; and “to provide an suitably fine-looking scene for some of the most outstanding new establishments of the Enlightenment in Madrid.” [ 10 ] The consequence was more than fruitful: the Paseo provided a great scene for establishments to show Spanish artistic and cultural wealth. It was and still is one of the favourite musca volitanss for citizens and tourers to saunter around ( fig. 3 ) . As a affair of fact, as Cathryn Griffith pointed out, the promenade thought was so inspirational that it was subsequently implemented in Cuba every bit good, under the exact same name Paseo del Prado, yet in this instance, in Havana ( fig. 4 ) . [ 11 ] They portion similar urban maps of supplying generous and gratifying infinites for citizens and tourers. The major difference being the one in Havana has largely hotels, film, theatres and sign of the zodiacs along its sides, in contrast to the cultural establishments in Madrid.

Prado Museum

After analyzing the Paseo at an urban graduated table, it is besides good to take a closer expression at its establishments at the edifice graduated table, specifically, the Prado museum. The design of the facade features rows of columns, elongated Windowss and blind panels in a really organized mode, besides has no clear indicant of entree to its inside. It was designed in neoclassical manner with a instead domestic visual aspect that fitted good on the Paseo ( fig. 5 ) . In her book A History of Ocular Culture, Susan Bakewell analyzed the Prado museum in inside informations as a mean of branding for Spain. [ 12 ] As she described it, the museum is a “quintessential” Enlightenment establishment that plays a cardinal function in cultural, economic, political and societal domains. [ 13 ] The Prado museum when compared with other younger museums is considered “venerable and traditional” even today.

Although it was the first of all time art museum in Spain that is unfastened to public, the really first planning of this edifice was non for art aggregation, but natural scientific discipline. [ 14 ] Charles III ab initio intended the edifice around 1776, to be designed by architect Juan de Villanueva. [ 15 ] In add-on, Charles III and his reformer head curate, Jose Monino, planned to set up a broad scope of establishments that are supportive to the Enlightenment, including the Science Academy, the Prado, an astronomical observatory, a museum of machines and the Academy of Fine Arts. [ 16 ] After seting much attempt into climaxing the Enlightenment thought nevertheless, the building of the Prado museum ( Natural History museum at the clip ) was unluckily interrupted by the Napoleonic War and Charles III’s decease. [ 17 ] The reverses were so followed by a alteration in the museum’s usage. The monarch’s grandson, Ferdinand VII, decided to alter it from scientific discipline to a royal art museum, which subsequently opened to public in 1819. [ 18 ] This somewhat proves that although Enlightenment was a major influence in Madrid, the Crown and the aristocracy were still at the top of the societal hierarchy. And as claimed by Bakewell, Spain at that clip needed to showcase it’s national wealth, both in scientific discipline and art, to turn out it was of equal virtue to the remainder of the European states. [ 19 ] The highly rich and representative aggregation of the Prado did function the demand peculiarly good. I could non hold more with her statement on the symbolic significance of the Prado:

“Shucking the restraints of the recent yesteryear, Spain began to raise a distant and glorious heritage by puting in cultural establishments, most notably the Prado. … The Prado represents a nationalizing aggregation, in the sense that its beginnings and enlargements are tied to Spain’s history and identity.”

Influence of the Enlightenment is besides apparent among the museum’s art aggregation. For illustration, as seen in the pictureIndustryby Francisco Goya ( fig. 6 ) , there are two immature adult females working on their tapestry wheels in a mill puting with enthusiasm and energy. The topic was chose by the proprietor himself, Manuel Godoy, to show his enlightened politician image. [ 20 ] Another vivid picture,Male childs Playing with a Cat,by Jose del Castillo ( fig. 7 ) depicts a childhood scene in which three well-groomed male childs are playing with a cat. In add-on, there are drawings on the wall and one of the boys’ lap, every bit good as a figure plaster sculpture in the foreground ; all of which are advancing rational activity for kids such as out-of-door playing. [ 21 ] In short, most shows in the Prado museum either attest to the royal backing, or reflect the current political orientation in the local context, such as the Enlightenment. To a certain extent, the aggregations can be perceived as Spain’s history captured in canvas/plaster. They are all merchandises of the cultural, societal, political and economical state of affairss in which they were produced in, merely like the Paseo and the Prado, merely at a micro graduated table.

Bing an urban imprint of Madrid’s historical heritage of class doesn’t merely halt at the age of Enlightenment. As clip goes by new history is invariably being written. How Paseo del Prado ought to accommodate to the alterations is non an easy inquiry. For illustration, in Bieder’s reappraisal ofCultivating Madrid: Public Space and Middle-Class Culture in the Spanish Capital, he discussed and explored the relationship between public infinite like Paseo del Prado and the in-between categories. “The new urban infinites carved out of the former royal conserves and now open to the in-between categories turn out to build ‘nature’ every bit stiffly as other infinites and societal patterns that constrict the lives of the in-between class.” [ 22 ] These kinds of societal and urban issues are frequently complicated and hard to cover with in a short sum of clip.

Another controversial undertaking that is deserving analyzing is Plan Especial Recoletos-Prado, a reform and revival of the Paseo del Prado and the Paseo de Recoletos. This undertaking was authored by Alvaro Siza and several other international designers. It was approved by the metropolis council on 23 June 2005. Its environmental impact survey is still afoot and Reconstruction has non been initiated. The proposal intends to widen the bing pavements, cut down vehicular traffic, and put in new dedicated bike waies. While the above might sound good on paper, most citizens argue otherwise in the proposal station on the authorities web site. Some of the grounds include Importance of touristry to the metropolis

Restoration and saving of the traditional, neoclassical visual aspect.

historical memorymodernize everything is a realbarbarism

However one thing that we can be certain about is, any enlargement or alteration to the yesteryear will ever be accompanied by contention. Merely with persevering research of the yesteryear, throughout study among the populace and Pr



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